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Jeff White, Director of Development at PGSF, and Joe Lyman, CEO of GLGA, join Deborah Corn to discuss aiding long-term student success, exciting new school programs and grants, exposing younger generations to the magic of the print industry – and how you can help!

Listen to this episode by searching for Podcasts From The Printerverse on your preferred podcast platform.

OR visit: https://podcasts.printmediacentr.com/supporting-students-with-jeff-white-pgsf-and-joe-lyman-glga/


PGSF Visits the Mariano Rivera Foundation

Mariano Rivera Foundation - Team

Mariano Rivera Foundation - ClassroomOn Feb 15, PGSF Director of Development, Jeff White, had the distinct pleasure of meeting with the students, staff, and mentors at Mariano Rivera’s school in Gainsville, Florida. This was an amazing opportunity to once again interact with many of the students who attended the EFI Connect Conference in January 2022. At this event, Mariano was the keynote speaker.

It was exciting to be able to see what a fine program has been developed to help a new generation of individuals learn more about the Graphic Arts industry, preparing them for choices in career direction and advancement. I was honored to share with them details about my 40+ year career in the industry. This helped the class further understand just how important print, packaging, and design are to all of us, every day –  and that print is everywhere!

Mariano Rivera Foundation - StairwellRead more in the latest edition of Printing News: https://www.printingnews.com/2022-03-printing-news

Learn about the foundation and how you can connect to the next generation of employees via the Mariano Foundation at their website: https://themarianoriverafoundation.org/center/

Gravure AIMCAL Alliance – February Newsletter

The Gravure AIMCAL Alliance is a partner in all things PGSF. We are pleased to share some highlights from their February 2022 Newsletter, featuring College Outreach, Career Days, and More!

Read all here https://gaa.org/news/

Keeping the Printing/Converting Industry as a viable career option for the next generations!

University and College Gravure Day: This program helps students understand all the industry segments that use the Gravure process and provides awareness of all the careers in printing and converting. Interested in holding a “Gravure Day?” Email info@gaa.org, subject line: “Gravure Day.”

Clemson GC Spring 2022 Internship & Career Fair

The Graphic Communications Department will be hosting its next, twice-annual Internship & Career Fair on March 7-8 at Clemson University. If you have an upcoming internship or full-time position to fill, this is a great opportunity to get in front of more than 200 graphic-arts students, and the graduating class at a reception the evening before the main event, to recruit top talent.

Internships & Careers (clemson.edu)

Career-Snapshots Helping Students with Career Discovery.

Career-Snapshots www.career-snapshots.com is a tool that came out of necessity from the COVID-19 pandemic to give high-school students a way to virtually do career exploration and awareness. Mike Realon, Career & Community Development Coordinator at Olympic High School in Charlotte, NC, working with industry volunteers, built the Career-Snapshots tool. The site has received 2.3 million hits since its launch one year ago. The link was spread through the CMS school district and is being passed across the Carolinas and beyond.

In an effort to promote careers in printing/converting and related industries, the Gravure AIMACL Alliance and other associations were asked to invite members to contribute a video. A career video is simply a way to tell students how you found your career, how you learned (apprenticeship, certificate, degree), why you like it and a potential salary range. There are easily 10 careers associated with printing/converting (Prepress, Graphic Design, Production, Inks/Substrates, Finishing, Inspection, Package Design, and so on.) Please visit the CS and pass it on. If interested in contributing a video, go to www.career-snapshots.com, click the “Contribute” tab or email tdoanto@gaa.org.

PGSF Opens Annual Poster Design Competition

Winners to Receive $500 Prize

Winning posters to be displayed in schools across the United States

The Print and Graphics Scholarship Foundation (PGSF) is holding its annual poster design competition to promote the hundreds of college scholarships it offers students yearly. The winning posters will be showcased in schools across the United States, and contest winners will receive a plaque to display in their schools. Two winning entrants will each receive a $500 check, an award certificate, and recognition in PGSF’s promotional materials.

Educators are encouraged to offer the design competition as a real-world working assignment.  High school and college students are invited to visit PGSF.org/2022-poster-design-contest to submit poster designs by June 1, 2022. Contest winners will be notified before June 30th.

“Each year PGSF dispenses over 200 scholarships ranging in value from $2,000 to $5,000, and we are asking students to design a poster to promote these award opportunities. We encourage communities all around the U.S. to connect with the schools, especially on social media, to share information about this design contest as well as careers in the graphics industry,” comments Jules Van Sant, Chair, PGSF. 

Recent Contest Winners

​​The 2021 winner of the poster contest for full-time students was John Latham, a student at SOWELA Technical Community College in Louisiana. ​​Randy Jackson, a student at Camden County Technical School in New Jersey, was the winner for the part-time student poster.

Abigail Carter of Mattoon High School won the 2020 design contest thanks to graphic arts teacher Laura Roberts, who offered the design project as a school assignment.  

Design entries must meet the following standards:

  1. They must place a strong emphasis on the availability of scholarships.
  2. They must prominently display:
    • the PGSF name and logo;
    • the scholarship application due date of May 1, 2023; and
    • PGSF contact information: PGSF.org, contact@pgsf.org.

Visit PGSF.org/2022-poster-design-contest for more information. For questions or assistance, email dianne.bullas@pgsf.org or call 866-556-7473.

About PGSF

The Print and Graphics Scholarship Foundation is a not-for-profit, private, industry-directed organization that dispenses technical and college scholarships and assistance to talented youth interested in graphic communications careers. The mission of PGSF is to promote the graphics industry as a career choice for young people and then to support them through their education process. 

I’m Not Anyone – A Story of Reinvention and Acceptance

Roger Gimbel, who served on the PGSF board for many years and has an endowed scholarship with PGSF, has just published I’m Not Anyone – A Story of Reinvention and Acceptance, a paperback book available on Amazon.  Generously, Roger is donating all of the proceeds from the sale of this book to PGSF.  Below is the synopsis – purchase your copy today and support the foundation!

Buy on Amazon NOW


PGSF Gimbel

Roger P. Gimbel, EDP is a well-known entrepreneur and business executive in the commercial print industry. He assumed management of the family business, Gimbel & Associates, expanded it, and had it taken from him. Over the course of his career, he’s experienced many ups and downs; some of them humorous, others heart-breaking.

I’m Not Anyone is the colorful story of a man who endured a big business disappointment, regained his sense of worth, and became an innovative and inspiring influencer.

The book is filled with interesting anecdotes and provides a glimpse into the evolution of the printing business from the 1960s until today.


This book covers over 50 years in the life of Roger P. Gimbel, EDP. He’s now the president of consulting firm Gimbel & Associates, but he started his business career working in his father’s print shop. The events that steered his life, and sometimes changed his trajectory, are related in “I’m Not Anyone” through amusing and interesting anecdotes and stories.

Coming of age in the turbulent late sixties had an influence on Roger’s life as he attempted to balance his interest in becoming a successful business executive with the counterculture attitudes of the time. He managed to start and expand his company while simultaneously enjoying life to its fullest. Readers will learn how he foresaw an increase in demand for quick-turnaround duplication and copying and set up his business to take advantage of new technology in the printing industry, eventually running operations for the family printing company following his father’s death.

Success and a growing reputation attracted business from big enterprises like JC Penney and AT&T. Demands for rapidly produced high volumes of print inspired Roger to work with his contacts at industry-leading vendors like Xerox to develop or evaluate new technology sorely needed in the world of printing. Things were going well. Then he made a decision that seemed right at the time but eventually caused him to leave the print production business. With no Plan B, Roger Gimbel had to reinvent himself on the fly.

Interspersed with a digital printing chronicle are stories about sailing, reality TV, unscrupulous business associates, celebrities, and even gangsters! Readers will learn about the print industry’s evolution while being entertained by Roger’s stories and adventures.

Personal development, drive, and ambition are also part of the story, all wrapped in tales of business trends and developments. Anyone interested in the printing business will enjoy this book, but it also appeals as an engrossing biography of one of the most interesting people in any industry.

CLICK HERE to purchase on AMAZON!


“Who’s up for fysshyng!”

By: Ken Macro, PhD
California Polytechnic State University, Graphic Communications

In my last blog entry, I introduced you to Wynkyn de Worde. He was William Caxton’s beneficiary and instrumental in starting up Caxton’s printing business under the sign of the Red Pale in Westminster (London) England back in 1470 (later to become the sign of the Sun). Upon taking over the business at Caxton’s death, de Worde moved the shop onto Fleet Street in London, which became the publishing, printing, and journalism mecca throughout all of England. Anyone with aspirations of publishing their works knew where to go. 

The Place to Be

Wynkyn de Worde’s shop became a central intellectual café where scholars, authors, and publishers alike would gather to discuss the political, religious, and intellectually challenging topics that dominated the landscape of the times. His goods and services were vast. They included translating and mass-production of rare manuscripts, books for purchase on Christian theology, psalters, classical philosophy, grammar books for students, or literature (think Chaucer’s Canterbury Tales or poems of Gowen the Green Knight, Robin Hood, and Arthurian legend). 

Who's up for FysshyngeWhat makes Wynkyn de Worde (WdW) so unique is that not having been born within the aristocracy, he became a “voice of the people” and—as an entrepreneur—was one of the first to challenge the norm and publish books that resonated with the common folk. For example, in 1496, he printed and published a book entitled, A Treatyse of Fysshynge with an Angle (A Treatise of Fishing with an Angle), originally written by Dame Juliana Berners. This was an attempt to capture a new and uncontested market space consisting of commoners and aristocrats with an early attempt at entering the “how-to” genre. As fishing using lures became trendy, the thought in WdW’s head was to publish a book on the “best practices” required to secure a healthy catch. 

I can imagine Wykyn de Worde, having just come from the local stream, frustrated with having caught only a tiny fish, thinking of how valuable the information purveyed within this book could have increased his daily catch. Whispering to himself, he most likely said, “I could print this for everyone so that they can enhance their fishing experience, a practical book for all!”

The Power of Print

As there has been much scholarly discussion about this piece and WdW’s involvement, it shows us that his understanding of the power of print, its dissemination of practical knowledge as written for anyone able to read the English language. It leads to a greater understanding of how a market of practicality is created and a better society is made. I can see the excitement in his eyes when he rushes to the shop, acquires the transcript, calculates the costs, and begins the process. 

Whether we are in school learning about graphic communication technology, innovative prepress processes, creative design techniques, or enhanced technological advancements in digital visualization, let’s remember that understanding what people need and finding a simple way to suffice those needs is most often the best solution.  

WWWdWW? Keep this in your thoughts when you ponder an idea that merits entrepreneurial insight. 


 It is worth noting that the original transcript was written in 1388 by Dame Julianna Berners. Another nod to WdW for promoting a diverse and equitable source during a period when women writers were oppressed. He was undoubtedly ahead of his time. 


Keiser, George, R. “THE MIDDLE ENGLISH’ TREATYSE OF FYSSHYNGE WYTH AN ANGLE’ AND THE GENTLE READER.” The Yale University Library Gazette, vol. 61, no. 1/2, Yale University, 1986, pp. 22–48, http://www.jstor.org/stable/40858900.
Keen, Elizabeth. “An Authoritative Source.” The Journey of a Book: Bartholomew the Englishman and the Properties of Things, ANU Press, 2007, pp. 103–26, http://www.jstor.org/stable/j.ctt24h3kw.11.

Asking for Letters of Recommendation

Letter of Recommendation

As part of your Print and Graphics Scholarship Foundation (PGSF) application, we would like two (2) letters of recommendation. A letter of recommendation helps us get a sense of who you are beyond your transcripts and personal statement. A teacher or employer can tell us about your unique personal assets, the talent or drive that you will bring to the table as a scholarship winner. 

Whom to Ask

An effective recommendation will come from someone who knows you well and can address your strengths and personal character. If you are a student applying for a scholarship, ask a teacher, coach, or guidance counselor with whom you have a good rapport. Choose a teacher in whose class you performed well or a coach who had high praise for your teamwork or leadership. As a high school student, you will probably want to ask someone from your junior or senior year because they will recall recent interactions.

If you are an employee asking for a letter of recommendation, be sure to ask a supervisor or manager. You can also ask a colleague from work or a professional organization. These people will know your day-to-day performance and should be able to attest to your passion, dedication, and enthusiasm for the printing and graphic communication industries.

How to Ask

Although all we need from you is an email address for each of your recommenders, you should ensure that contact from PGSF doesn’t come as a surprise. Set up a short meeting or schedule a time during office hours to ask for a letter of recommendation in person. 

Give the person you want to engage details about the scholarship you are seeking and the organization awarding it. (Feel free to send them to www.pgsf.org for more information as well.) Let them know your interest in pursuing a career in printing and graphic communications. Confirm that it is okay to share their email address with us. Finally, make sure to tell them the application deadline. (For 2022, it’s May 1st.)

When to Ask

Be sure to give the person enough time to write, refine, and submit their letter of recommendation. Most guidelines say to make your request at least two months before the due date. Remember, teachers and guidance counselors will have many requests for recommendation letters as college applications are being submitted, so be sure not to rush them.  For those in the professional field, a three-week lead time is suggested.

A week or two before the letters are due, follow up with a reminder or inquiry into the progress of their submission.

What to Do Once You’ve Asked

The most important thing to remember once someone has agreed to write a letter of recommendation for you – they are doing you a favor. Sending a thank you card or email after it’s submitted is the expected etiquette. At this time, you can also ask for a copy of the letter. Finally, circle back with your advocates after you hear about your scholarship award. If they have recommended you, you can be sure they are interested in your success and will want to know the results of your application.

What Would Wynkyn de Worde Whisper (WWWdWW) ?

What would Wynkyn de Worde Whisper?

By: Ken Macro, PhD

California Polytechnic State University, Graphic Communications

Over the years I have become quite enamored with Wynkyn de Worde. In fact, I am currently engaged in research for a book project that I hope to complete in the next year (or two, or three) with Mr. de Worde and his highlighted works as the primary subject.

Wynkyn Who?

For those of you who are not familiar with Wynkyn, he was one of the first printers to set up shop in London during what is called the Incunabula era—or—the period when letterpress printing was in its infancy (1455-1501). Wynkyn de Worde, a native of Flanders (currently Belgium), arrived in London alongside William Caxton who was the first to bring the press to London and—according to which scholar you reference—to England as well.

Mr. Caxton was a seasoned member of the aristocracy—a merchant by trade and an appointed governor of the Company of Merchant Adventurers of London. He frequently traveled to Flanders (Belgium), France (Burgundy), Italy, and Germany (Bohemia) in search of textiles and fabrics. It was most likely in Cologne, Germany where Caxton learned of the new invention of the printing press and moveable type. Living in Bruges (Belgium) at the time, he allegedly opened up a printing shop there, and consequently ran into Wynkyn de Worde (hired as a press operator) where he was successful in convincing him to move to England (Westminster) and open up their own shop for which Caxton would finance and oversee sales. Mr. de Worde was to be if you will, the production and operations manager of the endeavor. This all took place in and around 1476.

Printing on Fleet Street

It was well known that Mr. Caxton was a gifted businessman, writer, and translator (he was fluent in French, Dutch, Latin, and English…and most assuredly

German). In his late 50’s, he relied on Mr. de Worde’s physical skills and talents as a punch-maker, compositor, and press operator to produce many of the famous books to whom he is recognized, Recuyell of the Historyes of Troye (1471); Chaucer’s The Canterbury Tales (1476); Aesop’s Fables (1484) to name only a few. Upon his death in 1491, and after three years of legal battles with Caxton’s son-in-law, Wynkyn de Worde inherited Caxton’s business and remained working under the sign of the Red Pale, Caxton’s printing establishment located in Westminster Abbey. It was in 1500 that Wynkyn de Worde moved his shop (the Red Pale) to Fleet Street and began selling books in and around St. Paul’s Cathedral. This move was a catalyst to the printing and publishing industry that put London’s Fleet Street “on the map.” Not a scholar, nor writer, Wynkyn de Worde depended upon others to help to acquire content (manuscripts) and translate them into English accordingly. Credited with over 800 publications by the time of his death in 1534, Wynkyn de Worde was considered to be “The Father of Fleet Street” and respected greatly with much notoriety.

Why Worde Matters

I identify with Wynkyn de Worde. Having started a printing/copying business in a small town in Pennsylvania back in the 1980’s, I can relate to how technology can change the purview of business strategy and tactical execution in a socially hierarchical world. In my eyes, Wynykn de Worde was the first true “blue-collar” entrepreneur. He understood the craft of printing, he understood his community and, inevitably, his customer base. And he understood business. As I have thoroughly immersed myself into the research of this printing legend, I often can hear him whispering to himself whilst sitting at the local pub, planning his next project and mapping out his future.

Over the next several blog entries, I will prompt you to consider what Wynkyn de Worde would be whispering. It will provide intriguing historical insight into, perhaps, mapping out your future(s), too.

Until next time, WWWdWW?

Dr. Ken Macro is a professor of Graphic Communication at the California Polytechnic State University in San Luis Obispo, California. He is serving his 21st year. His areas of interest are management (contemporary, production, human resources, and Lean manufacturing), sales, and marketing. He is also the faculty advisor for the Charles Palmer Collection – The Shakespeare Press Museum housed within the department. Ken sits on the PGSF board of directors as an educational institution representative. Should you wish to contact him, his email is kmacro@calpoly.edu.